Rants & Epiphanies
•••
“Wisdom that will bless I, who live in the spiral joy born at the utter end of a black prayer.” • — Keiji Haino
“The subject of human creativity is not an ethnic-centric, but a composite subject.” • — Anthony Braxton
“… It is not my mode of thought that has caused my misfortunes, but the mode of thought of others.” • — The Marquis de Sade

Friday, August 5, 2016

Violence of Discovery and Calm of Acceptance || Space Elements Vol. I | Rafael Toral


One of my favourite albums, ever.






This is the first volume of the Space Program's Space Elements series. It is a series of releases each focused on one kind of instruments, on small settings and most often including collaborations, but sharing the same concerns of the program. The Space Program is a long-term work process launched in 2004, consisting on the quest for an approach to electronic music performance using a disciplined matrix of decision-making possibilities (and therefore not quite regarded as "improvisation"). Having found that jazz is the field of musical knowledge where disciplined decision-making is most developed, this music is more informed by jazz than by any other. The Space Program emphasizes articulating silence and sound, by structuring musical discourse on experimental instruments with a simple and clear sonic identity.

To my surprise i found no historical precedents to this practice, being that it draws practically no information from electronic music history (which is grounded on different thinking patterns), and it draws very little from jazz history as well, since the instruments i use are inadequate to play any music based on the Western system. I regard this approach to jazz (meaning a system of individual decision-making from the standpoint of free-spectrum live electronics) as a new and exciting field of creative possibilities. I called it "post-free jazz electronic music".
                                                                                             Rafael Toral, 2008







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