Written for Seth Parker Woods, Not Alone uses interactive digital delays, spatialization and timbre transformation to create a dance among multiple cellists following diverse yet intersecting spatial trajectories. Although the work does not deploy explicit models of self-similarity, the more immediate spatial trajectories expand into larger trajectories of affect across the duration of the piece. Advancing a conversational aesthetic, albeit in a nonimprovised work, in Not Alone foreground and background deliberately conflate. The electronics and the cello blend, intersect, and ultimately diverge into multiple digital personalities that can suddenly converge into unified ensembles while shrouding their origin in processes of repetition. The composition is dedicated to cellist Abdul Wadud. Software design by Damon Holzborn.
•••
“Wisdom that will bless I, who live in the spiral joy born at the utter end of a black prayer.” • — Keiji Haino
“The subject of human creativity is not an ethnic-centric, but a composite subject.” • — Anthony Braxton
“… It is not my mode of thought that has caused my misfortunes, but the mode of thought of others.” • — The Marquis de Sade
Saturday, November 4, 2017
George Lewis
Written for Seth Parker Woods, Not Alone uses interactive digital delays, spatialization and timbre transformation to create a dance among multiple cellists following diverse yet intersecting spatial trajectories. Although the work does not deploy explicit models of self-similarity, the more immediate spatial trajectories expand into larger trajectories of affect across the duration of the piece. Advancing a conversational aesthetic, albeit in a nonimprovised work, in Not Alone foreground and background deliberately conflate. The electronics and the cello blend, intersect, and ultimately diverge into multiple digital personalities that can suddenly converge into unified ensembles while shrouding their origin in processes of repetition. The composition is dedicated to cellist Abdul Wadud. Software design by Damon Holzborn.
Etiquetas:
Art,
George Lewis,
Music,
Seth Parker Woods
Subscribe to:
Post Comments (Atom)
INSPIRATIONS
- AARDMan!!!
- APPLE - BEST Computers & BEST OS
- African digital ART
- Antropus [Krishnamurti M. Costa]
- Ashley Wood
- Barron Storey
- Barron Storey Blog!
- Beth Cavener Stíchter
- Bill Koeb
- Bleak Bliss
- CGSociety
- Clarence Duclo TAPES ’N Shit
- Coroflot - The Creative World At Work™
- Danilo Pinheiro's Rigging Tutorials
- Daring fireball
- Dave McKean
- EXP ETC
- Eduardo Alvarado
- El Pintor de Hierro
- Emil Kazaz
- Eterea Estudios
- Ferocity Of Practical Life
- Free The Music • olatunji
- George Pratt
- Horacio Salinas
- Irma Gruenholz
- James Jean
- JasonShawnAlexander
- John Copeland
- Kenneth Shofela Coker
- Kent williams
- Kick to Kill
- Luxology - learn about modo
- Matt and Kevin Molen - The Aftermath Comic Blog
- MotionOGrapher
- My AWFUL bad Music [you're warned!]
- No Longer Forgotten Music
- Noise Not Music
- Paul Krugman • The Most Honest Man on The Internet!!!
- Rebeca Puebla
- Studio Aka
- Stéphane Levallois - Génie
- Taron
- The Sound Of Eye
- The Wire
- Tim Clapham
- Tony Matelli
- UbuWeb
Blog Archive
About Me
- Deocliciano Okssipin Vieira, aka Ochyming
- Lisboa, Portugal
- Learning to better myself.
No comments:
Post a Comment