Rants & Epiphanies
•••
“Wisdom that will bless I, who live in the spiral joy born at the utter end of a black prayer.” • — Keiji Haino
“The subject of human creativity is not an ethnic-centric, but a composite subject.” • — Anthony Braxton
“… It is not my mode of thought that has caused my misfortunes, but the mode of thought of others.” • — The Marquis de Sade

Sunday, April 28, 2024

Ming Dynasty Chinese music 明代音乐 from the "Weishi Yuepu"《魏氏乐谱》



Performances of four pieces from the "Weishi Yuepu"《魏氏乐谱》(Wei Family Musical Scores), an important collection of Chinese palace entertainment pieces compiled by Wei Hao (魏浩, courtesy name Wei Ziming, 魏子明), a music scholar of Chinese heritage, in Nagasaki, Japan in 1768, during the Edo (Tokugawa) period, which was also the 33rd year of the reign of the Qing Dynasty emperor Qianlong. This music is believed to have been in use in the imperial court in Beijing in the late Ming Dynasty (early 17th century).


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