This performance is presented live at Roulette in Downtown Brooklyn, “One of New York’s most important avant-garde music spaces...” (NY Times).
•••
“Wisdom that will bless I, who live in the spiral joy born at the utter end of a black prayer.” • — Keiji Haino
“The subject of human creativity is not an ethnic-centric, but a composite subject.” • — Anthony Braxton
“… It is not my mode of thought that has caused my misfortunes, but the mode of thought of others.” • — The Marquis de Sade
Showing posts with label Pamela Z. Show all posts
Showing posts with label Pamela Z. Show all posts
Saturday, June 28, 2025
Monday, July 29, 2024
Pamela Z
0:00 Quatre Couches
3:21 Badagada
6:14 Typewriter
7:47 Breathing
© 2017 Last Letter Music (ASCAP)
composed for string quartet and tape by Pamela Z
(commissioned by Kronos Quartet)
Kaleidoscope Chamber Orchestra premiered this new version for string orchestra in partnership with the LA Philharmonic’s “Noon to Midnight” Festival on November 18-19, 2017 in Los Angeles.
00:00 I. Born 01:46 II. Home 04:00 III. Rain 05:57 IV. Learned in the South 07:19 V. English 09:17 VI. A Piece of π 11:59 VII. Coffee 13:14 VIII. Cupertino 15:57 IX. The Tongue 17:19 X. Henry in Cuffs 18:59 XI. I Don't’ Know 21:00 XII. Mother
And the Movement of the Tongue is a work about speaking accents—specifically accented English. It started as an exploration of the profusion of broad-ranging accents that abound in the San Francisco Bay Area. But my last 2 1/2 months of composing the work were spent at an artist residency in North Carolina, so I couldn’t help but to expand the scope of the piece to include some of the richness in speaking accents I found there.
Attention (by Pamela Z) - Del Sol String Quartet Live at the Exploratorium
via Pamela Z
Del Sol Quartet in the premiere of Pamela Z’s Attention Thursday November 10, 2016 at the Exploratorium’s Kanbar Forum in San Francisco.Attention is a work by Pamela Z commissioned by Del Sol String Quartet. Composed for string quartet, fixed media (video and multi-channel sound), voices, and mobile phones, the work explores the ways in which attention and focus are challenged in today’s culture.Attention was presented by the Exploratorium’s Cinema Arts program, and was supported by a grant from the San Francisco Arts Commission
Source:youtube.com
Etiquetas:
Art,
Del Sol String Quartet,
Music,
Pamela Z
Saturday, November 17, 2018
Attention (by Pamela Z) - Del Sol String Quartet Live at the Exploratorium
Attention (by Pamela Z) - Del Sol String Quartet Live at the Exploratorium
via Pamela Z
Del Sol Quartet in the premiere of Pamela Z’s Attention Thursday November 10, 2016 at the Exploratorium’s Kanbar Forum in San Francisco.Attention is a work by Pamela Z commissioned by Del Sol String Quartet. Composed for string quartet, fixed media (video and multi-channel sound), voices, and mobile phones, the work explores the ways in which attention and focus are challenged in today’s culture.Attention was presented by the Exploratorium’s Cinema Arts program, and was supported by a grant from the San Francisco Arts Commission
Source:youtube.com
Etiquetas:
Art,
Del Sol String Quartet,
Music,
Pamela Z
Monday, March 12, 2018
Pamela Z
0:00 Quatre Couches
3:21 Badagada
6:14 Typewriter
7:47 Breathing
© 2017 Last Letter Music (ASCAP)
composed for string quartet and tape by Pamela Z
(commissioned by Kronos Quartet)
Kaleidoscope Chamber Orchestra premiered this new version for string orchestra in partnership with the LA Philharmonic’s “Noon to Midnight” Festival on November 18-19, 2017 in Los Angeles.
00:00 I. Born 01:46 II. Home 04:00 III. Rain 05:57 IV. Learned in the South 07:19 V. English 09:17 VI. A Piece of π 11:59 VII. Coffee 13:14 VIII. Cupertino 15:57 IX. The Tongue 17:19 X. Henry in Cuffs 18:59 XI. I Don't’ Know 21:00 XII. Mother
And the Movement of the Tongue is a work about speaking accents—specifically accented English. It started as an exploration of the profusion of broad-ranging accents that abound in the San Francisco Bay Area. But my last 2 1/2 months of composing the work were spent at an artist residency in North Carolina, so I couldn’t help but to expand the scope of the piece to include some of the richness in speaking accents I found there.
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