Otomo Yoshihide & Paal Nilssen-Love from Centro d'Arte Padova on Vimeo.
Mats Gustafsson from Centro d'Arte Padova on Vimeo.
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“Wisdom that will bless I, who live in the spiral joy born at the utter end of a black prayer.” • — Keiji Haino
“The subject of human creativity is not an ethnic-centric, but a composite subject.” • — Anthony Braxton
“… It is not my mode of thought that has caused my misfortunes, but the mode of thought of others.” • — The Marquis de Sade
An Interview with Lê Quan Ninh from Agosto Foundation on Vimeo.
Lê Quan Ninh: vs. Interpretation 2016 — Full performance from Agosto Foundation on Vimeo.
Musician from Lisbon, he elaborated during the previous years a specific set-up based on two prepared electric guitars and a bunch of objects as springs, metalic bars and plates, etc.
He create a music full of mecanic and industrial images, straight out of his double instrument, without any other electronic devices.
He published a few records on Creative Sources and Insubordinations, with Axel Dörner, Ernesto Rodriguez, Heddy Boubaker, Diatribes, IKB, Variable Geometry Orchetra, etc, and is also architect, saxophonist and writer for a couple of portugues jazz papers.
released December 19, 2012
Abdul Moimême: Fender Stratocaster and a self made solid body electric guitar, both amplified separately and prepared with small and large objects. In track #2, prepared Gibson Les Paul and a Rickenbacker lap guitar inside a grand piano.
– Jojo HiroshigeWords are different to sounds in that the images they create are limited. They’re like a two-edged sword – sometimes they can be used effectively, but sometimes they restrict the range of the images employed. When I was young I read Wittengenstein’s “Philosophical Investigations” and that led me to start thinking about the importance of pinning down thought through the medium of language. Escaping into sound because of your own inarticulacy with language, and using sound to express what cannot be expressed in words are two sides of the same equation.
Jojo’s music has always been a far more communicative medium than one might imagine from his fearsome reputation as the founder of Dionysian noise extremists Hijokaidan and the home of Japanese independent music, Alchemy Records. Rather than a fingers-in-ears rejection of social interaction, his music has always been created out of collaborative contexts, out of spaces where noise and the flesh of more than one performer can collide, to find and create meanings beyond the normal rules of linguistic interaction. It is the very possibilities of that space beyond words that has led Jojo to continually surround himself with new collaborators. So it’s fitting that Jojo’s release, the final one in the Shokyo Ontei series, should be the only one that turns its back on the relationship of music to a text. Unlike his previous solo releases, where vocals had always played a key role, here Jojo is caught alone with his guitar. Linguistic and social encoding falls away, leaving only the body, the instrument, the will.
ArtLab: Music + the Mind // William Hooker Performance from thisisartlab.org on Vimeo.
What music does the mind make? On April 25th, ArtLab tuned into the sound of synapses with Music + the Mind: a live music-infused experiment in neuroscience at Cameo Gallery in Brooklyn. Here, enjoy jazz drummer William Hooker's performance as he drums to the beat of his neurons firing. For more about ArtLab visit thisisartlab.org + for more from Lora Faye, visit http://williamhooker.com/